Needless to say, I had a blast at SXSW. The problem is that it came at the end of my vacation to TX and it left me drained and exhausted. I needed a few days to recover.
My plan going into SXSW this year was to go all out. I planned on starting early with the day parties and staying late for the evening showcases. I accomplished this goal despite the objections of my legs and stomach. I also planned on trying to spend most of my time seeing new bands and the rest of the time with bands that had new material on the horizon. I would say that was a success as well. Here are some of the highlights. I won't give in depth reviews, but encourage you to seek out these bands and give them a listen.

Day 1: I started the fest with a set by big buzz band
Broken Bells playing a parking garage near 6th street. This collaboration between Danger Mouse and James Mercer of The Shins turned out a pretty good show that had people, including myself, lined up outside the garage when it reached capacity. I saw the same band again later in the evening but was not blown away.
I left the parking garage for a day party with a solid lineup of bands I had not seen before at the Red 7 patio.
Choir of Young Believers out of Denmark got the party (and the mustache parade -see above) off to a great start. Strong sets followed from
Neon Indian,
Real Estate, and a great find called
The Rural Alberta Advantage - whose drummer was kicking it.

I spent the first night at Stubb's for a huge NPR showcase featuring well established acts. The Walkmen got things off to a quick start before
Sharon Jones and the Dap Kings came on stage to deliver her patented old school soul and RnB. Sharon has her third album coming out in April and the new songs had the crowd dancing along with her high energy dancing.
The Broken Bells played another set before giving way to
Spoon. Spoon is based mostly in Austin, with lead singer Britt Daniel living in Portland. This was my first chance to see them perform songs from their recent release Transference. The set was fantastic as this band is currently playing so tight together. I encourage everyone to go to
NPR Music where you can stream the Spoon concert from this night along with many other sets from SXSW. Day 1 was a success. I spent over 13 hours at SXSW during which time I was on my feet the whole time except for maybe 45 minutes!
Day 2: I spent the afternoon jumping between the Paste magazine party at the Galaxy Room and the NPR Music party at The Parish. Unfortunately, I did not take too many pictures this day. Music highlights:
Shearwater is an Austin band originally formed by members of Okkervil River Jonathan Meiburg and Will Shef as an outlet for quieter songs. Will Shef is no longer involved in Shearwater and Jonathan is no longer a part of Okkervil River. Got that? Regardless, Shearwater plays some amazingly melodic music with a tinge of bluegrass.
Fanfarlo is a London based band that sounded to me to be heavily influence by Talking Heads and Arcade Fire. Yes, it was good. Another big buzz band that did not disappoint was
Surfer Blood. Their debut album
Astro Coast is a solid guitar driven indie beach party. Definitely worth a listen. The day ended with a thud courtesy of Sleigh Bells. I have heard a few of their songs on KEXP and felt they were interesting. The live show as anything but good except for the lead singers glow in the dark nail polish. Unfortunately, her voice was ear piercing and had me running for the door and a slice of pizza.
The evening of Day 2 found me back at Stubb's for an evening showcase that I was especially excited about. First up was
The Soft Pack, a post-punk band that originated in San Diego and put out a strong self-title debut album recently. They were great live, with a lot of energy. Drive by Truckers were a little too country for my tastes. The last set was from Broken Social Scene who seem to have a pretty large fanbase. After my first live experience with BSS, I am not sure I get it. Certainly they are accomplished musicians but I felt the idea was to see how many musicians they could get on stage at one time. The result was a deep complex sound but not very melodic or interesting to me.
The night, and possibly the week, belonged to
Band of Horses. With a new album,
Infinite Arms, expected in May, this was the number one show on my list for the week. The new songs sounded great and the band is playing so well right now. If Band of Horses comes to your town, do yourself a favor and go.
Day 3: One thing I learned this year at SXSW is that when they say there will be free food do not count on it. We arrived early at the Filter Magazine party at Cedar Street Courtyard hoping to score some free BBQ. It was gone. The venue soon reached capacity and we were captives to a great lineup and no food. Luckily a friend dropped off some food for us and we were all set for a strong set of bands.
Band of Skulls (above) brought some much needed aggression to start the day. Delta Spirit followed with their brand of garage-rock folk. Another up and coming band from San Diego, they have a new album releasing in May. I thought about leaving at this point to catch some other bands but texts and tweets described insane lines at most venues around 6th street. I decided to stay put.
The Temper Trap (below) was up next. I did not recognize the name. I was immediately intrigued as they quickly provided what is so sorely lacking at SXSW: dance beats. The sound was upbeat and I needed that. Then they busted out this song which was instantly recognizable - Sweet Disposition. A solid set from a band I was not too familiar with that was a pleasant surprise. Glad I was forced to stick around.
The fun at the Filter party did not stop there. A solid set from Black Rebel Motorcycle Club was followed by yet another buzz band from California - Local Natives. Their debut album Gorilla Manor has been well received. I managed to catch them twice during SXSW and they were excellent both times. I would describe their music as a mix between the soundscapes of Fleet Foxes/Grizzly Bear, the psychedelic aspect of Animal Collective, with a little upbeat flair. I look forward to delving into their album and to seeing them again.

After Local Natives, I hoofed it to the other end of the sixth street area to a new venue called Lustre Pearl. This is basically a renovated house which gave the wonderful show by Rogue Wave (above) the feel of a huge house party. Rogue Wave played several songs off of the new album Permalight, as well as some of their well known songs from past albums. It was a great way to finish off the day parties.
I met some friends as I worked my way back to 6th St. and we caught a quick set by Freelance Whales, which was entertaining. The problem was I was on indie music overload. I couldn't tell my Freelance Whales from my Frightened Rabbits, Neon Indians from Neon Trees, Band of Skulls from Band of Horses...well you get the idea. It seemed at this point that the same 4 guys with ironic mustaches and skinny jeans were playing the same music. I needed a change. That change came in the form of a cool hip hop showcase at the Scoot Inn. Duck Down Records was celebrating 15 years and the highlight for me was Seattle duo Blue Scholars. Their 2007 release Bayani is one of my favorite rap albums of all time. A solid show.
I walked back to the heart of the action around midnight. My intent was to see The xx play a set in a church but it was badge holders only by the time I got there. I thought about throwing in the towel but a quick check on the lineups on my iphone showed The Low Anthem playing in another church across the street. The soft atmospheric sounds were perfect for ending the evening in an idyllic setting (see above).
Day 4: The perfect weather Austin had the first 3 days of the festivities was replaced with a damp and cold end of the action. The bad weather and my tired bones led to laziness. After my first decent breakfast of the week, I wandered over to Stubb's to catch a great set by the lovely ladies of School of Seven Bells. Also debuting new music from an upcoming release, this was a great show. I snuck in a quick look at another Seattle band The Maldives before I took a break from SXSW to visit 512 Brewing's open house (separate post to follow) and visit with old friends.
The final night found me worn down and looking to stay warm. Previous plans were abandoned and I found myself jumping around 6th street. One band of note was Wave Machines from Liverpool who put out a nice set of up tempo indie rock with a few dancebeats that might have had me moving if it was not the last night.
Another great week at SXSW. Looking forward to next year already. Writing this post was almost as tiring as the festival itself!